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Friday, November 9, 2012

Julius Caesar: Portia and Calphurnia.

And the fact that Cassius is initially make to lead the conspiracy as much by curtilage of Caesar's imperial ambitions against the republi posterior govern workforcetal structure of Rome is the extort of politics, military strategy, and the vicious irony that, in the end, Octavius confirms the imperial sooner than republican structure of the Roman state. These atomic number 18 historically the concerns of work force, who are associated with the larger-than-life issues of politics and the structure of politeness itself. This is neatly summed up by Cassius's characterization of himself and his fellow conspirators as the heroes of the age and of civilization itself: "So often shall the k non of us be called / The men that gave their country liberty" (III.i). Well, maybe, but probably not by the women who have to c slant up after the mess the men have do. Caesar's judgment of Cassius as a particular " image" of political man is equally apt, that he has a lean and hungry look. Such an appellation would be inconceivable for a woman, either in Caesar's or Shakespeare's age.
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What men do and the hellish that lives after them, the tide that is-taken in their personal business (hence in the affairs of all)-these are the principal concerns of the play, and they are first and always come to on men as such. The most action that women can take in this environment is to observe and learn, to read, and profit there


Tell me your counsels, I will not disclose 'em:

Think you I am no stronger than my sex,

Your statue squirting blood in many pipes,

I have made strong proof of my constancy (II.i)

Signifies that from you great Rome shall suck


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