These dynamics are all part of the cultural background in which Haggard, Kipling, and Burroughs were writing. MacDonald's likening of the preservation and advancement of the empire to the frontier is also instructive, since the action of these impertinentists' assay stories is principally situated away from the civilized environment of utmost Victorian/Edwardian England. It is in the setting of the frontier, indeed, that the relationships between the manlike characters and the behavior of the adolescent boys in particular achieves homosocial resonance.
The earliest-published of these texts were
Philaretou, Andreas G., and Allen, Katherine R. "Macro and Micro Dynamics of Male internal Anxiety: Theory and Intervention." International Journal of Men's wellness 2 (Sept. 2003): 201-220.
That passage speaks to every adolescent boy's fantasy of be admired and relied upon by a distinguished elder, and it places the reader at the center of the author's fantasy narrative. The satisfaction or indeed stir with which insecure adolescent boys must have read this rehearsal can only be wondered at, especially given Creighton's spot of spymaster and ultrapatriotic Englishman. It is completely consistent with the avowed purpose of Baden-Powell's formation of the Scouts as militarist empire builders, an idea that appears to have seized the imagination of the British public very quickly after it was proposed.
It is consistent, too, with the rush of adrenaline that informs sexual expression, a miniorgasm contained in the larger wet dreaming of the successful adventure fantasy.
Haggard's King Solomon's Mines (1886) and She (1887). The action of each is situated chiefly in a remote part of undiscovered Africa, what could be called the frontier of empire. It is perhaps helpful to know that Haggard's passkey career began in South Africa and that he was involved with mingled imperial commissions and study groups concerning Britain's interests in Africa for many years. By and large, the egress of imperialism and British entitlements is collapsed into the action of King Solomon's Mines as the Englishman's due. What is more apt to the present research is that Haggard himself appears to have deliberately targeted the novel to an audience of young boys. The narrator/hero of the book is Allen Quartermain, and the text begins with the conceit of a mature Quartermain (age 55; Haggard was 30 when the book was published) who from his comfortable home in Natal is recalling his previous(a) adventure of exploration in remotest Africa. Quartermain's is a solely manful world. Ther
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