Vision of Heaven Beyond Human Being's Reach

This becomes an photo that represents heaven for the poet, and it is as well an image that links with the later reference to paradise. The image of the apple on the Tree recalls the Garden of heaven and the apple of knowledge that caused the Fall. The image is used here to represent that which can buoy be perceived alone which is just out of human reach. This is why the apple hangs hopeless, because the poet cannot reach it--it would seem that it is the poet who lacks hope, hope that she would be subject to reach out to heaven. Just like heaven, the apple is something she cannot reach.

Readers of the verse line of Emily Dickinson have had several different images of the poet in mind, with perhaps the ancient adept being the "New England Nun," a version of her liveliness which sees her as a heroic virgin who lived behind the walls of her father's field and renounced the world in order to nurture in grief the higher and purer love of someone who was absent forever. Much of this image is a apologue, but the power of her poetry to convey emotions and a special sense of love and loss is not. Much of the myth of Emily Dickinson centers on the fact that she lived most of her life in one house, and the concept of home is central in her work and is overly embodied with her ideas of love, love for family, love for nature, love for life. In applicatory terms the degree to which Dickinson remained in one locale gives

This poem brings out the inner sacred life of the poet as she considers what religion teaches and what she sees as the reality, and for her, religion is beyond our grasp, promising something we can never achieve. It is like the cloud overhead, shadowed and distant and unreachable. At the same time, all that is effect in this world masks heaven, hides it from us, keeps us from reaching it, and this means both the cloudy clouds and even the color of the clouds as well as the greater solidity of the house.

Behind all the reality of this world "Paradise--is found!"

In a way, this can overly be taken as a statement about Dickinson's poetry itself, for she also seeks truth in the everyday world and only glimpses Paradise in her poetry. All that the human being can take is this world, not the next, and this world has been shaped by the Fall and its meaning. This is evoked in the second stanza. After the reference to the Garden of Eden in the first stanza, the second notes the result--the land, the earth, is interdicted. This word means "forbidden," but it also refers to a punishment in the Catholic perform under which the faithful, while remaining in communion with the church, be forbidden real sacraments and prohibited from take time officipation in genuine sacred acts. The things of this world were once more directly part of what we call heaven, but this changed with the Fall. The land is now interdicted, refused sacred status, and Paradise, the sacred, can only be glimpsed just beyond.

her poetry a certain spare quality in subject matter as she looks to the commonplace objects of nature and life for examples of larger p
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