by
Dawn Peterson
HST 363: Af-Am explanation from 1850
Film Analysis Paper
April 15, 2010
The 1970s are best understand as a time of turmoil. The social and political events of the decennary began a sort of liberation in American engage culture. cardinal genre that erupted from this decade is cheatn as the blaxploitation genre. These scoots targeted audiences of urban black people and primarily starred black characters. One popular type of blaxploitation films was the follow up film. These usually took place in the ghetto in an atmosphere of hit men, drug dealers, pimps and prostitutes. They included ethnic slurs pertaining to whites and blacks.
The 70s were also a time when women entered film genres that had always been thought of as exclusively male. The world of action and violence was no longer solely a slices world. Two popular action heroines of the blaxploitation period were tricksy Brown (1974) and Cleopatra Jones (1973); two headstrong black female characters. These films worked to stool a new black female character that contest the negative images of African American womanhood so normal in film and literature for years.
Blaxploitation movies provided alternative images of the African American woman that were neither the Mammy of films like Gone With the bakshis (1939), or the exotic separate of Carmen Jones (1954). But they were reminiscent of other stereotypes that have haunted black femininity since slavery. One of these stereotypes is more or less commonly known as the Jezebel. Depicted as alluringly seductive, she uses her kayo to lure men into her bed almost against their will. Next, there is the Sapphire, the wisecracking, stubborn, emasculating woman. She lets everyone know shes in charge. Foxy Brown and Cleopatra Jones both overthrow and proliferate the Jezebel and Sapphire stereotypes in ways that have reshaped and...If you wishing to get a full essay, order it on our website: Ordercustompaper.com
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