Flawless Use of Parallelism in Shakespeares King Lear :: King Lear essays

Flawless Use of Parallelism in King Lear Many twists and turns characterize the television ooze operas of today. Subplots are a distinctive trait of these daylight dramas, for they keep audience on the edge of their seats. Subplots keep the material fresh and the audience wanting more. Shakespeare uses alternative plots as a literary device to greatly dramatize the action of the play and to spark a contrast to his underlying themes in King Lear. The secondary plots can incalculably improve the effect of dramatic irony and suspense. The effective usage of subplots in King Lear, as a form of commensurateness, exhibits analogous traits of prominent characters. apply such literary device permits the audience to understand the emotions of the essential characters in the play. The magnificent similarity of different plots and characters can illustrate Shakespeares perfect use of parallelism in King Lear. Parallelism is greatly enhanced by the use of subplots, for it creates emphas is and suspense. The parallel between Lear and Gloucester displayed in the play cannot possibly be accidental. The subplot of Gloucester corresponds the study plot of Lear. The two fathers have their own loyal legitimate child, and their own evil and disloyal kin. Gloucester and Lear are both honorable men, who have children that return to them in their time of need, and are sightless to the truth. Like Lear, Gloucester is tormented, and his favored child recovers his life he is tended and healed by the child whom he has wronged. Their sufferings are traceable to their perfect folly and injustice, and to a selfish pursuit of their pleasure. In the early beginning of King Lear, Cordelia says that her love for her father is the love between father and daughter, no more, no less. Unhappy that I am, I cannot heave My heart into my mouth I love your majesty According to my bond nor more nor less. (Shakespeare.I.i.93-95) In response, Lear flies into a rage, disowns Cordelia, and d ivides her share of the kingdom between her two unworthy sisters. Such folly and injustice is encountered by Gloucester in the secondary plot. O villain, villain His very discernment in the letter. Abhorred villain, unnatural, detested, brut- ish villain worse than brutish Go, sirrah, seek him. Ill apprehend him. Abominable villain Where is he? (I.ii.80-84)