25th Hour and Do the Right Thing by Spike Lee Film

Lee engineers quite a few other scenes that tie the story explicitly towards attacks. For example, Monty's father, a former firefighter, owns a bar that has posted tributes to other firefighters who died in the attacks. Monty and his father have a brief conversation about a single firefighter that Monty went to school with. But possibly one of the most visually explicit scene takes place when Monty's friends, Frank and Jake talk about Monty's impending incarceration in Frank's apartment. They have the conversation next to a window that overlooks Ground Zero at night. Their dialogue about Ground Zero is brief, but it touches over a possible politicization in the attacks when they discuss regardless of whether the EPA or the New York Times is telling the fact about the air top quality at Ground Zero.

As the viewer watches Frank and Jake have this conversation in this place with that backdrop, it is impossible not to consider Lee's function inside the set-up in the scene. Frank says that Monty got what was coming to him to become a drug dealer. Monty was ruining lives by what he was producing and he deserves to go to jail. Any viewer aware on the terrorists' stated goals in flying planes to the Twin Towers is aware that the terrorists sought to strike back at a country and an economic procedure that they believed caused strife in other parts in the world.

It is really a disturbing moment in the film primarily because it looks forced. Yet the implication of Lee's justification from the image and also the dialogue looks inescapable. Scott, in his review, argues how the aftermath of 9/11 is "not so a lot the topic of Mr. Lee's movie as an important element of its atmosphere, at times an obtrusive one." Over that, however, it looks an inappropriate one, even if the viewer accepts the premise suggested above, that Lee intended to equate Monty's drug dealing with American foreign policy. Essentially, the trouble of 9/11 merely appears too "big" to serve merely as being a backdrop for a story that may be not ultimately about 9/11. Nonetheless, Lee's functionality may well only have been to suggest that 9/11 so changed New York that 1 cannot use the city like a backdrop without the need of addressing the attacks.

Lee voices these assumptions explicitly during the series of scenes in which each ethnic character voices the hate-filled stereotypes of another ethnicity directly into the camera. But the next scene brings Radio Raheem who talks on the conflict among adore and hate. Inside final scene, Bugging Out confronts Sal within the lack of pictures of African American on a walls and Sal responds by calling them "niggers" and smashing Raheem's radio. The entire film has been leading to this scene. The scene is chaotic, but clearly delineates every character in the context wherever he or she has been introduced from the film. The reality from the scene, therefore, comes to your knowledge of the characters and the understanding in the assumptions and frustration that led to this moment.

 

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