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Thursday, April 11, 2013

British Literary History: The Modern Period. Essay discusses various aspects of Modernism by studying Joyce's "Ulysses", Woolf's "To the Lighthouse" and Forster's "A Passage to Inida"

The Modernist movement was concerned with the accelerating pace of society toward destruction and meaninglessness. In the late 1800s many of society?s certainties were undermined. Marx demonstrated that genial class was created, not inherent; Freud boiled down tender-hearted individuality to an animalistic sex drive; Darwin provided evidence that the countersign might not be literally true; and Nietzsche argued that raze the most deeply-held ethical principles were simply constructions. Modernist writers attempted to come to price with where humanity stood after its cornerstones had been pulverized. The movement sifted through the shards of the past feel for what was valuable and what could inspire construction of a new society.

A common motif in Modernist fiction is that of an alienated individual--a nonadaptive individual trying in vain to make aesthesis of a predominantly urban and fragmented society. In romanticism style was transformative: the reader was transported by the poem. In Modernism language was formative: the reader was not transported anywhere.

This first episode of Ulysses demonstrates the distinctive qualities of a modernist text in that the readers are offered no introductions or exposition of the characters or place. Further difficulties arise for the first-time readers as it becomes discharge that there are no explanations or obvious link from one action, speech or thought process to the next.

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just now it is soon discovered that this disjointed narrative does eventually impart into some type of resolution. Stephen gives Mulligan the key to the tower as this is repeated later when Bloom also leaves his house without a key. Another connection with Bloom arises when he thinks of Mulligan as a usurper. This concept of betrayal is re-worked later when Bloom worries active his wifes affair with Boylan. Further to these points, the anti-semitism, which Haines reveals, also sets the scene for Blooms entrance as...

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