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Wednesday, April 10, 2013

How gender criticism is displayed in Charlotte Perkins Gilman's "The Yellow Wallpaper".

Prior to the twentieth century, men defined and assigned women roles. Traditionally, it was the men who held world power in the pre-modern society. Women have been treated as second-rate individuals with borderline constitutional rights and the inability to gain respect for their male counterparts. feminist critics believe that culture has so been involved by instruction women to accept their secondary status while encouraging small men to take control (Gioia, Gwynn, 895). Charlotte Perkins Gilman?s ?The yellowed paper? tells the story about a delusional woman that tumbles into frenzy as a result of the reflection she sees in this wallpaper. ace perception of the wallpaper is that she sees a reflection of herself within the walls, trapped, and urgently she tries to free herself. More importantly, the story is about attacking the roles of women in society. The narrator can generally represent all females life-time in that time frame of the nineteenth century. In ?The Yellow Wallpaper? we see the society of the nineteenth century by dint of three different characters: the dominant husband John, the submissive infant Jennie and the narrator who becomes more socially aware of her surroundings as time progresses. By decomposing these three characters, we can fully clear the gender criticism portrayed in America in the nineteenth century.

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The controlling husband John can be symbolically characterized as the male centerpiece during Gilman?s lifetime. The elan the author describes John is somewhat of a dominant character, he treats his wife as a child and in no way his equal counterpart. John places his wife in a room that is designed for children to be looked after. ?It is a big, airy room, the unit of measurement floor nearly, with windows that look all ways, and air and sunshine galore. It was babys room first and then playroom and gymnasium, I should judge; for...

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