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Wednesday, April 10, 2013

"The Love Song of J Alfred Prufrock" by T.S Eliot.

Prufrock is portrayed as a shy and timid caseful whose thoughts and attitudes are severely degraded by failure and crushed self esteem. He is self-conscious and indecisive, un imparting to take whatever risks, step up of the fear of rejection. The poem contemplates his unsuccessful attempts to win oer women and fit in with society. This is largely due to his pessimistic and self-critical nature, regret attitude and suppression. As a consequence of his self-doubting temperament, he forms feelings of isolation and loneliness, manifesting an anti-hero status.

Prufrocks personal identity is chiefly explored by three rhetorical skylarks. These are the use of an epigraph, recurring images and repetition.

The epigraph explores the suffering and uncertainty in Prufrocks identity in an effective way. It is in first person and thereof provides insight about what Prufrock is thinking. The metaphor this flame alerts the reader that Prufrock has some shape of desire or unresolved issues which torment him. Phrases such as none ever did return alive from this depth indicate that Prufrock is calling out from the depths of hell with a sense of pessimism and depression. A key stylistic feature used in the epigraph is juxtaposition.

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The title Love Song implies the poem will be about a mans compassion and love for his wife or girlfriend, yet the introductory epigraph contrasts this theme entirely, rather creating the toughness of a tormented, suffering man experiencing hell. This contrast helps to convey Prufrocks true up identity to the reader.

Recurring images are another key stylistic feature used to explore Prufrocks identity. The reference to the image of oyster-shells is evidence of his conquer self, and along with the metaphor of yellow fog, form the recurring imagery of the sea. The last mentioned metaphor portrays the fog with cat-like qualities, such as rubbing its back, and licked its tongue...

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