The Love of Art.

The Love of Art.

There is no more blessed influence touch the world than the love of artistic creation. It is neer individual in its operation, never selfishly confined to the object upon which it was first directed; hardly it releases like the atmosphere, radiates like light, embracing, spreading, and changing all surrounding things.

When artificer sits down to draw a painting, he really essential look inside himself. Sadness or happiness should be felt through the painting. But sometimes people pay off a different idea of the painting. I suppose, beauty is in the eyes of the beholder. Artist may have been sad when he painted the depicting, but he may make somebody happy. So to say, what he felt when he painted the picture may non be what other people perceive.

Exploring canful Bergers Ways of Seeing (1972) caused me to revise the way I tint and think about art. Berger (b.1926), known primarily as an precedent of art criticism and fiction, is also a poet, essayist, translator, playwright and screenwriter. Art, to illusion Berger, is the most complex and rich human creative activity. The art object, whatever it is, sums up the spiritual and physical personality of man. At the same time, the work of art is by its very nature an existential event of unique dialectical unity.



Bergers interest is not art-historical or analytical, but an interest in what is the most primal existential creative situation that man is capable of reaching.

Let us consider a typical example of art - painting. The objective lens here is to unearth certain principles of painting which give fine meaning to the art. Such principles be like the elements of music where the equipment casualty note, interval, counterpoint, etc., have specific meanings. In painting there are principles of space-relation, tension, rhythm, balance, and interval.

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