'Music Reaction Essay\r'

'van Beethoven’s Symphony no(prenominal) 5, Movement, 1 and Stravinsky’s redbird Suite atomic number 18 ii compositions that initi from each one(prenominal)y proficient quite similar. They are dickens prominent, passing intense, and have the ability to leave a lasting impression upon listeners. There are, however, several pick up differences that separate the twain, including expression, step, and over all in all effect. Although the melodies and general manner of the two pieces may seem alike, Symphony zero(prenominal) 5 is more(prenominal) than more grand and composed piece the cardinal Suite is more erratic and little sophisticated as a whole.\r\nSymphony No.5 is arguably virtuoso of the around famous compositions in the world, and begins with a melody with which most people are familiar. at heart the archetypal four notes, it is evident that the piece was compose in a minor key with a respective melody. There is a vast stretch of notes throu ghout the philharmonic, with the superior and low pitches resulting in two different effects. In numerous compositions, the most dramatic part of a poem will typically consist of notes in higher octaves; just in Symphony No. 5, it is the light pitches that make up the main melody and seem to be the most dramatic.\r\nBy building the song around lower pitches, Beethoven has created an air of potential vitality, with light runs and scales from the chain sections providing the harmonies and escalating the drama of the lower notes. One of the most pronounced characteristics of the main melody line is the rhythm and repetition of the phrase. It consists of a triplet that stays on one note, and then jumps to a lower note that is sustained. As this phrase is repeated, it overly starts to create the beat of the symphony, which is extremely guide.\r\nEven as the instruments add in quicker-paced scales that go up and down in the background, there is a strong and steady pace that i s maintained by the melody line. With the melody line being equal to stand out amongst all the other symphony move, it develops a very bold and brooding musical comedy expression. It is so vivid and moody, that one can printing Beethoven himself, walking briskly through the streets of capital of Austria while everyone else automatically clears the way for him. Symphony No.\r\n5 has essentially became an extension of its composer, reflecting everything he was move to expressâ€the various components of his own personality and outlook. Beethoven in any case adds variation to the song through changes in tempo and kinetics. The quicker tempos tend to serve as a way of building up to each one musical phrase, yet are vie at a fairly piano to very softly direct. the likes of the drama that the lower pitches create, the parts that are compete quietly withal create potential energy that makes the louder, slower, and lower parts of the song that ofttimes more impactful. In ter ms of texture, Symphony No.\r\n5 is surprisingly simple considering the intricacy of the notes and the way all of the instrumental parts are pieced together. There are several pauses that add tension to the song, while also eliminating too much unnecessary sound or instrumentals. This symphony, overall, has a very dark and intense timbre. It is dramatic and moody, however at a sustainable level that is not too jolty on the listeners’ earsâ€that is, it is relatively easy to listen to for a lengthy diaphragm of time due to the lower pitches and pianissimo parts that allow for the audience not to be overwhelmed.\r\nStravinsky’s Firebird, similar to Beethoven’s piece, also begins with an introduction of accented notes and lower pitches. In this song, however, it is the higher notes that are accented rather than the lower pitches. The melody is also not nearly as easy to follow, as there is significantly less repetition. Even though both compositions involve similar instruments, Firebird uses many of the higher voices as the focal point of the song rather than the lower instruments. Throughout the piece, high strings, the xylophone, and heretofore higher octaves play by the trombone can all be heard.\r\nThe Firebird harmonies are also much more muddled and not necessarily played in sync with the melody line. There seems to be several different rhythms that are being played simultaneously during the louder, more dramatic sections of the song. This makes it quite surd to find and maintain the beat of the piece, whereas Beethoven’s symphony is easier to follow. Regardless of its lack of simplicity, Firebird is fitting as expressive as Symphony No. 5. The significant change in tempo and changings create emotion within the piece, adding depth to the song.\r\nFirebird’s dynamic changes, in fact, may be even more dramatic as it ranges from pianissimo to fortissimo; and since the higher pitches are the tones being emphasized, it is much less understated than Beethoven’s piece. It is also more complex in terms of texture. not only does the showcasing of more instruments add to the composition, but Firebird also has more measures that serve as a relief from the otherwise frantic nature of the song. part most of the piece is intense, there are bits of it that sound light-hearted and carefree.\r\nDuring these sections, the tempo is not always slower but there are fewer instruments overlapping each other, resulting in less chaos. Still, it is Firebird’s timbre that makes it clear how different it is from Symphony No. 5. It is bright, brilliant, and harsh, entirely because of the pairing of high pitches with a loud dynamic marking and a quick tempo. Perhaps this is a clever decision by Stravinsky, trying to mimic the calls of a wild birdâ€shrill, shrieking, and somewhat harsh on the ears at times.\r\nWhen comparing the two compositions, it is clear that Stravinsky’s Firebird is more c omplex; but Beethoven’s Symphony No. 5 is much more composed overall. It is not as aggressive in terms of loud, shrieking high notes, but rather understated and intense. This also evokes more emotion out of the audience, as it plays on the vestige and moodiness of Beethoven’s personality. Firebird is undoubtedly socialize and a complicated work of art; but when it comes to which piece is easier to listen to and which makes more sense upon first impression, it is surpassed by Symphony No. 5.\r\n'